Author: Quinlan

  • Maybe I’ll Meet an Ally Someday.

    Thursday, March 26th ’26.

    It’s 9:15am. I’m getting ready for the day ahead of me, absent-mindedly brushing my teeth and dissociating into the fogged mirror. As it clears, the dark circles under my eyes speak to yesterday’s early morning and yesterday’s late night. They remind me that yesterday was 13 hours away from home. It was four hours at one job, four at another, and finally, four at a city council meeting.

    It was the scheduled vote on a proposed Diversity and Inclusion Ordinance that brought me to Elgin. The community had asked for a show of solidarity with organizers and our immigrant neighbors. While I moved out of Elgin some years ago, the City in the Suburbs still calls me back; the vibrant downtown is without parallel, full of independent shops and eateries, a relaxing waterfront, and excellent public transit, all of it a reflection of the beautiful people who call Elgin home.

    This meeting opened with the heartfelt and vulnerable words of people on the front lines: delivering food, transporting children, running errands, patrolling the neighborhoods, connecting people with resources and help. People who accept requests for help no matter what, even when the resources have run dry and there aren’t enough hours in a day. Who are giving even when there is so little left to give, because if they don’t, no one will, and anyone who has ever faced true and total ruin, who has ever watched their entire world shatter around them, knows the difference between having only a moment of help versus none, knows the difference it makes just to know someone cares and is trying.

    After these opening statements, some bids and budgetary items, and a short back-and-forth over data privacy, was an hour-long presentation and polite conversation about micromobility devices and how Elgin should potentially be regulating them; it ended with what can only be summarized as “the state is working on it, so we should wait and see what they do first.” To say that my eyes glazed over during all of this would not be a lie, although I will admit that I miss when these were the moments of great importance at city and village council meetings, when we discussed updating ordinances, infrastructure, budgeting, zoning, and the like. Some people might remember when these altogether deeply boring events were called “politics”. They could be largely ignored with barely any effect on one’s life beyond perhaps being rankled over another 0.01% tax increase.

    Finally, after what felt like surviving my first filibuster, it came time to vote on the Diversity and Inclusion ordinance…

    …Or not. The council instead decided that they need an additional 60 days, atop the 180 they have already had, to review it. Somehow, with six months to do so, they hadn’t found time to read the entire twenty pages. They were undone by the complexity of a 20-page ordinance proposal. One councilwoman is personally responsible for the reach my crippled spine had to make to collect my bewildered jaw from the floor when she asked what a policy is, what that word means. Another made a motion to postpone the vote.

    The motion passed.

    And so, the ordinance was tabled yet again.

    The collective grief of the assembled audience reared its head and howled as apathy once again won out over action, as yet another meeting concluded without anything resembling progress. The anger and pain and exhaustion of people abandoned by their city to fend for themselves and their community tore through the room. I yelled with them, I shamed the council with them, I backed their voices as best I could.

    Because I know their pain. I know their grief, I know that feeling that you’ve been left behind, abandoned by the people who promised you that they would uplift you, protect you, represent you. People who will call themselves your ally and friend to your face, and then prop up the systems that strip you of your humanity, dignity, and rights.

    The proposed Diversity and Inclusion Ordinance would have provided a municipal ID for Elgin residents, a legal defense fund for people abducted by ICE or facing deportation, language access for city meetings and documents, and more. And while all of these things are important, the most painful loss from it not being passed is the message it sent: “Your city is not with you. Your city does not stand behind you. Your city does not have your back.”

    “You are on your own.”

    And we are on our own. When I asked a shop marked as an LGBTQ+ Safe Space on Google Maps to hang up a flyer for the most tame and sanitized of protests, a No Kings march, I once again foolishly forgot how many “safe spaces” are not really safe. “Actually… No. I don’t want to alienate the weirder customers.” This one hurt more than usual. It came from someone I considered to be a friend, someone who I thought understood what holding a safe space meant.

    It means protecting the space, holding it for those who need to shop and live and work safely and may have few or no other options. A space is only safe if the person responsible for it keeps it that way; keeping it safest for people who want me and everyone like me thrown into a concentration camp instantly nullifies the supposed safety for the queer community.

    Allyship means being the shield between us and those who will cause us harm. It means being uncomfortable sometimes. It means that you’re ready to carry our weight with us, not just ra-ra us from the sidelines as long as you don’t have anything else going on, or to feel like you did something nice that day. It means being in the muck with us, showing up at city council and village board meetings, being the only white or cisgender or heterosexual or documented or male person in the entire room, and it means being okay with that, not needing to follow the trend but needing to be the helper, listener, learner.

    It means placing our humanity, our dignity, our rights, our lives, our futures, above the fragile feelings of our oppressors.

    What breaks my spirit time and again is not that my government wants me dead. I’m used to that, and I’m still alive, much to a lot of people’s ongoing irritation. Nor am I particularly distraught by the fact that some of my own neighbors are frothing at the mouth for ICE to dispose of me. I’m used to that, too, and quite frankly, I cannot and will not find purpose in caring about the opinions of people whose moral fiber shifts with the whims of whatever miserable, soulless, conservative husk they obediently follow.

    No. What consistently stings is the carelessness and recklessness of those who proclaim to support the marginalized. The fair-weather friends who repost the Trans Lifeline phone number in June, but won’t repost fundraisers for trans refugees in July. Or May. Or September. Or any time other than when it’s fashionable because the other liberals are doing it, too. The self-proscribed “allies” who will look a trans person in the eyes and tell them all about their lovely trip to Florida, the new Harry Potter movie they took the kids to see, the money they spent on Amazon dot com and the cute shoes they picked up at Target. The mother who will spend her entire life voting against her gay son’s rights, while still saying she supported him and did everything for him and can’t understand why he doesn’t visit back home in Texas anymore, using her low-contact son’s existence as a shield from criticism because “I can’t be homophobic, my son is gay!” and never reckoning with the damage she’s done and continues to do.

    You look us dead in the face and tell us that our oppression is unimportant to you. That your comforts and capitalist joyrides hold more value for you than our existence.

    We hear you. Whether you say it loudly or you whisper it so only us two hear it, we do. Whether or not you even meant to say it, you did. And we heard it.

    I don’t know how I’m not used to it, how it still manages to hurt every single time. But it does. If anything, it hurts more each time I have to walk through that grieving process, learning that yet another person in my life loves me on the condition that I am convenient, that I am quiet about my own marginalization and oppression, because having to confront it, face it head on, be tasked with doing something about it, is asking too much of you, and so we are not only expected to eek out a living in a hell that your apathy built for us, and that your apathy keeps us in, but also to do so quietly and without making a fuss.

    Because making a fuss means that your allyship is put to the test, that you’re being tasked with recognizing the weight we carry and your role in it. And that brings up some hard questions, doesn’t it? It demands that you grapple with your own complacency, how you took that bribe of comfort and relative safety (for the time being) in exchange for stepping aside while social and literal genocide rain down on immigrants and BIPOC, the trans community, Muslims, and more. It demands recognizing that the comfort you refuse to step out of was never afforded to us, that we never had the option of retreating back to safety in the first place because your apathy and silence in our oppression bar us from even knowing it.

    Being an ally means being afraid like we are.
    Being an ally means getting hurt like we do.
    Being an ally means losing some business like we do.
    Being an ally means placing a human life above comfort, money, property, feelings.

    Maybe I’ll meet an ally someday.

  • An Evening with Panic Priest

    A little alliteration, and learning to love your losses.

    September 24th, 2025
    Bottom Lounge. Chicago, IL
    8:02pm, local time.

    Featuring: Miss Misery, Panic Priest, House of Harm, Vision Video.

    Copyright 2025, Dancing Stag Photography & Margin Missives.

    I leaned back in the chair, belt and boots squeaking against the green pleather. ‘Just do it, and tap me on the shoulder when it’s over.’ These are the last words of feigned courage I had before my headphones went on, and four teeth would be pulled from my skull while I was awake to feel everything the local anesthetic couldn’t kill.

    The real pain would come later, once it wore off.

    But in the dentist’s office, all I had was my service dog, Misneach (mish-nock), and a pair of headphones to help me escape. So as Panic Priest’s ‘Psychogoria’ overtook my senses, I slipped into a headspace- I’m not a terrified little white man shivering in a chair, no. I’m in a cyberpunk future, getting upgrades. I lost myself in the possibilities: what could I get installed in my jaw? A module that analyzes what I eat and updates my food journal accordingly? Boring, corporate. One that makes me a better singer, correcting my pitch? That could be alright. One that adds a voice modulator, so I don’t need a third party app to DM my D&D campaign on Sundays? Hey, now we’re on to something.

    A photo of Jack Armando of Panic Priest. The photo is edited into black and white, and is taken from the right side of the stage. Mr. Armando is standing on stage, facing the crowd, playing his guitar and singing into the mic. He has his head thrown back and his left leg kicked up and back behind him, giving him a dramatic look.
    Copyright 2025, Dancing Stag Photography & Margin Missives.

    Anyway. Anything was better than the reality: I had severe overcrowding, and four of my teeth needed to go in order to make room for the rest to stretch out and be their best. So, annoyed with my crooked smile as I was, I said ‘fuck it’ and endured some of the deepest physical pain I’ve ever felt.

    It’s been seven months, and it was worth it. I smile at everyone, now, proudly, finally satisfied that the problem is resolved.

    Shortly after Dark Force Fest this year, I left the journal I’d been working for. ‘Creative differences’ is the industry lingo, yeah? There’d been rifts; I’m very loud about the need for goths, punks, and their graveyard cousins to be vocal in our opposition to fascism and human harm, to be involved locally, to do mutual aid, to be seen, to be strong, to be loud, to be brave, to spit in the face of our fear. When that deep, core belief was challenged, it was time for me to chew the reins off and run free.

    It wasn’t painless. It hurt in much the same way as four teeth being ripped out of your head: like all hell.

    But life isn’t painless. Sure, you can try to keep yourself safe, and sometimes, you’ll even win that gamble. But no one makes it out unscathed. We all carry scars, it’s just a difference in whether or not they show. If we let them be seen.

    ‘This next song is dedicated to anyone who finds it a struggle to just make it through one more day.’

    • Panic Priest, leading into Live Another Day

    I haven’t covered a show since; it’s been four months, and my Dark Force Fest article went unpublished, languishing in the drafts. I didn’t know if it would ever be read. Still don’t, really. But I’ll post it here, my new home, so even if not one eyeball ever finds it but my own, at least it finally is where it belongs.

    There have been rumors wiggling through the soil, but yesterday, Dusty confirmed the very real possibility that this may be Vision Video’s final tour. Were this a mutual decision between the band members, it would be less of a heartbreak. But it’s the news that this is out of their hands that truly stings.

    See? None of us are immune to the fall, the shatter, and picking up the pieces. Not even the beloved Goth Dad is without his own strife. But even if this is their unexpected farewell tour, I’m eager to see what he does next.

    Copyright 2025, Dancing Stag Photography & Margin Missives.

    It’s only goodbye forever if you never say hello again, you know? In the meantime, with the unknown looming and the future of the band uncertain, what choice do Vision Video have but to give the performance of their lives, to make what may be their last few shows something extra special, for the people who have never seen them before, and for everyone who they may never perform for again… But mostly I hope they do it for themselves. Pour every ounce of love they have for it, just a few more times.

    There is undoubtedly something to be said for knowing that the final encore, the last bow, and the splintering to follow, are all coming, knowing they will hurt, and white-knuckling through anyway, on the chance that the crash landing might put you somewhere interesting.

    Copyright 2025, Dancing Stag Photography & Margin Missives.

    Barely into Panic Priest’s set, a string snapped on his guitar, a technical shenanigan I only became aware of thanks to my partner; knowing the theme of this piece, he texted ‘a string broke on his guitar- might be worth mentioning in your article?’

    He tilted his camera’s screen towards me, and certain as spotting that one guy who’s at every show, there it was, a stray string, dislocated, refusing to cooperate in a moment where its lacking would surely be of note.

    And up there, on stage, I’m sure it was. But to me, at the back of the venue, singing along to whichever banger I was when that string gave up the ghost, doing the wallflower shuffle as my handwriting slowly degraded… It sounded, felt, was, perfect.

    In spite of it, the show never stopped. Didn’t even slow. There was no downtime, not a second where I didn’t feel connected and one with the flowing mass of people on the floor, didn’t feel a real life moment of ‘bardic inspiration’ cast across the venue.

    So maybe, sometimes, even when the words of the day and the predictions of tomorrow are dire, even when your future is uncertain, even when your moment got disrupted, it’s okay, great even, to do as the man in his signature patterned button-front and crowned by glorious curls just cried, and Dance to the Downfall.

    Copyright 2025, Dancing Stag Photography & Margin Missives.

    You can’t always stop a string from breaking, or a complication from ending your band before you were ready, or a friendship from ending brutally, or the online journal that launched your career from feeling like it isn’t the place for your voice anymore. But you can grab a friend, a partner, family bloodline bound or lovingly found, or hell, even that one guy who is at every single show, and make the most beautiful something out of it.

    Welcome to Margin Missives.

    * * * *

    Support local music! Check out all of the artists we saw tonight here:
    Miss Misery
    Panic Priest
    House of Harm
    Vision Video

  • An Evening with Pigeon Pit

    Writer’s Note: This article was originally published for another journal. It’s shared here, to continue celebrating the artists who have inspired me so much. This show was easily one of my favorites of the year, and my article about it entirely changed how I write about music. I realized I didn’t want to write reviews; I wanted to write about life. Anyway. I hope you like it.


    The set list is written on paper towels. The books I just bought are leaning against the speaker, itself a six foot monolith reminding me that I forgot my ear plugs. The drums won’t stay where they were put. And a rug just crowdsurfed past me.

    It’s a Tuesday night, and I’m at Pilsen Community Book Store.

    The past week has been rough for us, y’all. Twice, we’ve had undisciplined, insecure men pass our house and scream homophobic slurs and threats at us. This past week was also mine and Folky’s “un-aversarry”, the yearly countdown until our wedding. We took the opportunity to get out and enjoy ourselves, only to be witness to someone else being called a slur.

    The upside is, I now have a counter on my phone’s home screen for “days since I last punched a queerphobe”, and I can’t wait to reset it. My grandfathers didn’t shoot nazis just for me to let them walk comfortably on American soil, you know?

    Anyway. Pilsen Community Book Store. If you’ve never been, and you’re not getting ready to send me flame mail for decking a homophobe, then I recommend making the trip. Tucked on the city’s lower west side, Pilsen is steeped in history, art, and culture, and PCBS is a microcosm of that. While most bookstores strive to carry “something for everyone”, this one caters specifically to the consciously curious. Stocked floor to ceiling (literally) with books on queer history and health, the ongoing injustices our BIPOC siblings face, the broken American prison system, the environment, anarchist and socialist political theory, feminism, and much more, PCBS may not have “something for everyone”, but if you have even a faint interest in learning about the world around you, or more specifically, the people within it, you are almost certain to find something that speaks to you. Personally, I left with two books on queer history; when the present fight is too hard to face head-on, I find that it helps to remember the battles of the past that we have withstood, every single time, to remind myself that we will outlive this, too.

    Being indirectly involved in the Chicago music scene (a fancy way of saying “my friend is the DJ”), the majority of the shows I cover are ones I picked. Folky and I have different tastes in music; while I’m more into industrial, phonk, and the like, he leans heavily into hip hop and folk (where his nickname comes from). Where we meet is punk, before once again branching at the spot where folk punk and post-punk meet. To be honest, I did not think there would be a day where I needed to write about a folk punk show. I have frequently (and playfully) hassled Folky over his love for folk punk. It’s the only genre that sounds worse when recorded with better equipment, like some terrible musical poltergeist. Maybe just leave it alone, you know? It wasn’t meant to be heard like that. But this show didn’t just speak to me, it grabbed me by the shoulders and shook me until I was ready to listen.

    Trans femme fronted and Washington based, Pigeon Pit initially caught my attention with their track Soup For My Family. Darkly humorous and as in your face as a can of Campbell’s to the cranium, Soup For My Family introduced my partner to what would quickly become one of his favorite folk punk acts. True to the soul of punk, Pigeon Pit operate on a hair thin margin, so we rarely see them here in Chicago. Their last trip here was marred by transphobic comments and rudeness, so I’m relieved that this show was in a much more friendly environment.

    So much so that when a fiddle “went out of tune during the transition”, there was a chuckle from everyone and nods of recognition passed through the audience. If you know, you know, as they say.

    When interviewed about their 2017 album, Treehouse, Pigeon Pit’s Lomes Oleander shared where she was at the time: newly out, carrying the grief of losing a friend, being 21 and staring down an uncertain future. ”I buried myself in the people who got me through. This is my journal from that time.“

    In Chicago, years later, when the lyrics to a song dedicated to “all the trans motherfuckers” escaped Lomes for a moment, the crowd filled in immediately, and she picked it up from there. Something in that exchange felt special, and it took me a little reflection to understand why. Is that not the queer experience, summed up in one interaction between artist and crowd? Our strength is in our unity and our willingness- no, our ravenous need, to uplift and help each other. We endure, not because any benevolent overlord gave us permission but because we simply refuse to do anything else.

    My good friend Sam, himself a folk musician, once told me about a conversation he had with a friend of his. Sam’s friend asked why trans people “need to be so loud about it”. Sam, a battle-tested comrade who will stand shoulder-to-shoulder with queerfolk, replied “they’re fighting for their rights while politicians are trying to ban their existence, they have to be loud about it.” Blessedly, his friend realized this for the reasonable response it was, and has since dropped the issue entirely.

    If someone had asked me why queerfolk are so loud about our rights, I don’t know that I could have worded it so succinctly. Are we even that loud? Is our existence and our taking up as much space as anyone else really that noticeable? Maybe. Or maybe our refusal to stay in the margins is the dramaticized problem for those who are inconvenienced by our existence, and no amount of noise we make will ever be acceptable.

    So to be in a place where I look around and am surrounded by people just like me, where every single person is looking out for every other person there, where I am not a minority but just another homosexual at a show, where I can safely rest my head on my partner’s shoulder for a moment without having to check my surroundings for someone who might make a scene about it… To be in a place where we are, literally, loud. Among my people, a community built on queer joy and queer love, all releasing their pain and rage in a mosh pit while also caring so deeply for every stranger in that place, letting no one fall and letting no one leave feeling like they weren’t part of something, if only for a night.

    When we’re faced with terrorism, when people try to take away our sense of safety and peace, to threaten our rights, it’s hard to stand and fight and feel like you belong anymore. It took a group of country-style badasses from Washington to remind me that the only way we lose is if we surrender.

    So say what you will about how folk punk sounds terrible (it does), but it’s as punk as it gets. DIY and unpolished, no one is asking for more monitor and no one is arguing with a sound booth or a lighting guy. It’s just a band, on the floor of a book shop, barely containing their drums and embracing fully their refusal to contain their rage, their grief, and their demand for a better tomorrow.

    I won’t explain the rug, though, that’s your mystery to deal with. Come find me at a show and ask, I might even remember how the rug got there in the first place.